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CLEAN AS A WHISTLE MUSIC - A WHISTLE MUSIC


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Clean As A Whistle Music





clean as a whistle music






    whistle
  • An instrument used to produce such a sound, esp. for giving a signal

  • A clear, high-pitched sound made by forcing breath through a small hole between partly closed lips, or between one's teeth

  • the sound made by something moving rapidly or by steam coming out of a small aperture

  • make whistling sounds; "He lay there, snoring and whistling"

  • move with, or as with, a whistling sound; "The bullets whistled past him"

  • A similar sound, esp. one made by a bird, machine, or the wind





    clean
  • Remove the innards of (fish or poultry) prior to cooking

  • clean and jerk: a weightlift in which the barbell is lifted to shoulder height and then jerked overhead

  • Make (something or someone) free of dirt, marks, or mess, esp. by washing, wiping, or brushing

  • make clean by removing dirt, filth, or unwanted substances from; "Clean the stove!"; "The dentist cleaned my teeth"

  • free from dirt or impurities; or having clean habits; "children with clean shining faces"; "clean white shirts"; "clean dishes"; "a spotlessly clean house"; "cats are clean animals"





    music
  • The art or science of combining vocal or instrumental sounds (or both) to produce beauty of form, harmony, and expression of emotion

  • musical activity (singing or whistling etc.); "his music was his central interest"

  • A sound perceived as pleasingly harmonious

  • any agreeable (pleasing and harmonious) sounds; "he fell asleep to the music of the wind chimes"

  • an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

  • The vocal or instrumental sound produced in this way











Harmonia & Eno '76 - Tracks and Traces (1976) review




Harmonia & Eno '76 - Tracks and Traces (1976) review





1 Welcome 3:02
2 Atmosphere 3:26
3 Vamos Companeros 4:34
4 By the Riverside 9:37
5 Luneberg Heath 4:56
6 Sometimes in Autumn 15:52
7 Weird Dream 5:41
8 Almost 5:30
9 Les Demoiselles 4:24
10 When Shade Was Born 1:35
11 Trace 1:33
12 Aubade 3:34

Between 1973-75, Harmonia released just two albums. It was little more than a temporary workspace for three individuals – Dieter Moebius, Hans-Joachim Roedelius and Michael Rother – with different temperaments and musical goals. The band’s name was “a little joke” about their ongoing struggle to achieve harmony. They sold hardly an album in their original lifetime. Three decades later, the trio reunited and now tours worldwide to ecstatic audiences. CD reissues outsell the original vinyl LPs several times over.

Why?

because of the music

because of the magic it makes

because of Rother’s endless guitar lines, the journeys they take us on

because of Roedelius’ lo-fi keyboards and the radiant and dizzy and life-affirming patterns they make

because Moebius’ synthesisers keep it nice and strange with his affection for unpredictable machine motion and quirky automata

because the three circled and complemented and counterpointed each other to unravel rock music into bracing new shapes and sounds

because Harmonia is both music and myth

because when Brian Eno was quoted as calling Harmonia “the world’s most important rock group” and jammed with them in 1976 for a third album (that would only find release 21 years later as Tracks and Traces), he helped to elevate this unknown, unpredictable, unmarketable band to mythical status

because like a shouty archaeologist with a megaphone, Julian Cope’s Krautrocksampler rescued the myth from the obscurity of dusty and musty second hand record shops

because Cope wrote as a fan, getting some facts wrong, in that pre-internet age when facts where hard to come by, but much more importantly getting to the heart of what made the group so special – the vast kosmische dronescapes and adrenaline-rush rhythms and twinkling electro-melodies

because he set it down in heady proto-punk prose-poetry that you couldn’t fail to be inspired by

because thousands now buy the albums in order to experience ‘it’

because ‘it’ = that life-transforming spirit of discovery in the late sixties and early seventies that fused rock with experimental music

because we who weren’t there when it happened want to go back to the Ur-source and sup from the well

because of the music

because of the magic it makes

because if the universe is a kind of electrical circuit of primal energies, of atoms, molecules, splitting, fusing, reacting, pulsing and metamorphosing into new creations, then why shouldn’t rock music be like that too?

because Moebius, Roedelius and Rother knew that West Germany was not the fifty-first state of the USA

because even if millions of dollars of American post-War investment, imported radio shows and vinyl LPs led many West German bands to copy these sounds as a short cut to fame, Harmonia wasn’t persuaded

because rock music has an endless capacity for reinvention

because to be truly authentic, each new rock genre must be rooted in the soil, concrete, people, sweat, fear and aspirations of where it comes from, not merely ape what has gone before and someplace else

because Rother found his authentic voice by imitating the Beatles, Kinks and Hendrix and then deconstructing them into his own stripped down motorik anthems to West Germany’s endless autobahns, distant horizons and sehnsucht (the longing that is never appeased)

because Moebius and Roedelius found theirs by tapping into West Berlin’s home grown avant garde scene – in the slipstream of Joseph Beuys, West Deutscher Rundfunk, Karlheinz Stockhausen – and channelling it through electric guitar, organ, feedback and buzzing amplifiers

because in 1973, when the white heat of the underground got too much, Cluster’s Moebius and Roedelius had a dream

because in this dream they went to the woods, or to be more precise, the rural hamlet of Forst in the almost deserted valley of Weserbergland, 175 km south west of Hamburg, at the bend of the river Weser

because in deep in the woods they left you alone

because there you could be self-sufficient

because Rother took a sabbatical from his band Neu! to join Cluster at Forst

because they stumbled across a common purpose and hit their stride

because there followed Musik von Harmonia, one of the all time great debut albums, because it comes out of nowhere, whole and dramatic and totally itself, and then there was the more structured, rock-orientated, yet still utterly fresh Deluxe, one of the greatest second albums of all time

because something whispered in Brian Eno’s ear that Harmonia was the new ‘it’, and he couldn’t help but agree

because in 1974 Eno flew to Hamburg to see Harmonia live at the Fabrik, sat in the front row and then joined them on stage

because the band invited Eno











Tea and sympathy




Tea and sympathy





The steam whistle has just blown
And the Curtin call has just been said
Its no time to say goodbyes
Only thoughts must stay in your head
All the flags have all been risen
For the living and the dead
And all the lamps have been slightly lit
Wine is ready and in the ovens bread
All the ships have been docked
All the street signs been mead
And at the gates its unlocked
Ready for the girl and the clown too
Ready to see who is who
Who else will come and see
And join in for tea and sympathy

A dwarf on wet stilts
He’s goanna join me to
He’ll tell me a few secrets
Maybe a few lies two
He might bump into Dorothy
Who’s on her way to Oz
But she’s goanna stop here first
To remember who she once was
With her she’s brining a record
And her black shoes
Her music Beethoven’s ninth
Mixed with Morrissey’s blues
We’ll listen to the sounds
And express our news
Everybody an me
When we have tea and sympathy

Well this Vietnam vet
Called me from his home
He’s coming but we haven’t got a set time yet
He’s a friend of john Merrick
And John can hear all conversations
At the rendezvous
And the small talking train stations
Tears from his eyes
Fall into a puddle of sorrow
In this room filled with mirrors
Where the walls seem so hollow
He holds a picture in his hand
Sees the reflection in the glass
But to his acquiesce
He’s agreed to join me
For tea and sympathy

The bearded lady
Her eyes so sad
Her dreams have all been shaven
She cant remember what she once had
And Enoch Powell
Goanna come in his suit
His arrival will be welcomed
By the punk playing the flute
I’ll sit him next to the lady
She won’t say he looks cute
And the songs will play
And the drinks will hit
And we’ll all have thing to say
The lady’s dreams she’ll tell me
When its time for tea and sympathy

Now the handsome beast
Locked away in his tower
His whole life is fixed
Upon the petals of a flower
As he waits for the harlot
That walks the dead streets
Hoping to reach a place
Where there is for once clean sheets
And she sees an Eskimo in rags
Offering Anna frank a cloak
And in Anna’s eyes
Words that say it that a joke
And there all coming from across the sea
Right in time for tea and sympathy

Hansel and Gretel
Must have had there fingers crossed
With the moon hiding
And the ambulances lost
As the ship of dreams sets sail
The captain cannot sleep
As he looks at the icy stars
So he decides to count sheep
Counts seven hundred and five
The rest are in trouble deep
And I wonder if kingdom Brunelle
Stooped and shock his head
At what the morning papers did tell
I’ll ask when they all come
And see what my answer will be
When we have tea and sympathy

William Wallace and Hannibal barker
Talk of there situations
Both have read so well
Use dictators quotations
And da vinci and Picasso
Wanting to paint them both
But Wallace is to anxious to go
And Baker reading his maps
Wonder if he understands
Here there is no set traps
Cant help but think is everything prepared
Or as somebody out there
Not heard our word
But these men will march here at three
For tea and sympathy

On a hillside rainy afternoon
Adam and Eve lay
Between graveyard stones
Where the boy and the girl with the make up stay
Listening to the sounds of thunder
And shaking trombones play
And there standing still
Kes and his kestrel bird
They talk so quietly
Yet you can hear every word
The rain dripping off there face
Falls onto desperate leaves
Now in history they have found there place
In a book I long to see
Right after tea and sympathy

Time has almost come
The night is nearly silent
I think of all the things I’ve done
And I then think of you
As I saw you naked there
On a mattress on the kitchen floor
Getting high to electric sounds
I was peeking through the door
Now Harry Houdini
Is trying to escape my head
But he’s not alone
So are all the things you have said
Now am wondering how am doing
And I look and see
And realise I understand tea and sympathy

Jason Taylor









clean as a whistle music







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